Choosing Colours.

Choosing colours to work with is often more complicated for a glass artist than for someone using more traditional forms of artistic expression like paint.

Glass has a mind of its own once it begins to melt and the colour you pick when it is in rod form can disappear when heated only to reappear on a second heating or change into something very different depending on how much oxygen is in the flame you use and how much silver is in the glass. 

Mixing colours can yield extraordinary results too, but more often than not ends up with an undesirable black in my experience. This is due to the chemicals in the glass that give it its colour reacting with each other.

Trial and error is often the best way to discover what a glass will do. 

I keep my eyes open for new ways to be inspired to play with colour and recently found Design Seeds

http://design-seeds.com/index.php/home/entry/autumn-hues3

I used this beautiful pallete to create the sets of beads below. Not really pink enough and a touch too yellow. In real life the colours are actually closer. But my lights bring out the yellows. 

The glass colours I chose where :-


Top to bottom, 

CIM Comando
CIM Slytherin
ASK Scarlet Dreams
CIM Pheonix
Eff Sedona
CIM Stonegroud

I thought as a little challenge for myself during Blogtoberfest  I would let my readers choose a colour palette for me to use to create a set of beads as I did at the top of this page. 

Please help me decide between these two colour palettes, also from Design Seeds, by voting "A" or "B" in the comments. I will count the votes on Wednesday and then I will do my best to make another set of beads using the winning pallete as inspiration.  I will report back next friday with my make and offer up another couple of pallettes to vote on.

"A"

"B"

 

Thank you for reading my blog and for voting, cause I dont think I could choose between these two. 

Julia

History Hop Challenge.

Here it is, June 1st, Reveal day of the History Hop.

The early period of glass bead making, the first 1000 years or so, hold such a fascination for me it was a no brainer to choose Merovingian 500 - 751 AD as my period in time.

My Lampwork Beads with "Fibula" in the Background

I did a lot of research online and found lots of photographs and drawings.  I also visited the British Museum and saw some Merovingian pieces close up, (as well as some amazing Ice Age art. More about that later I hope.)

Merovingain women would have worn their gowns fastened at each shoulder with a very distinctive fibula type broach. Probably with a string of beads suspended between them. 

The Beads

Being a lampworker making glass beads in the styles I was seeing on the net was not a great problem. I had to mix different colours of glass rods together to get just the right colours for most of these beads. I also used sodium bicarbonate to give the aged look I was after. I wanted them to look as though they had just been exhumed.

The Seed Bead Fibula

Next came the fibula. This was my real challenge. The shape and sunburst style was so distinctive I knew I had to find a way to reproduce it. But I am not a metal smith and I knew I could not do it in glass.
My only real option was beadwork. And so I headed off to Lynn Davy and using her pattern for a Celtic boss I was able, after much cursing and tangled threads and a fair bit of help from Lynn, to redesign the pattern, and make this. The central bead is one of my lampwork lentils, made for the job.

I would have made two of these but I ran out of time.












The earrings are a poor approximation of the skilled metal work done by the smiths of the time, but as I said earlier, I am not a smith. Faceted cubes on simple ear hoops. The originals were filigree set with gems.
 











This squat conical bead  is a reproduction of a style found commonly from this time.

They were believed to be worn in this orientation but nothing I read said as pendants.  So this is my own interpretation. Threaded on a fine leather thong with a small crazed amber bead.

 Here is all my Merovingian Inspired work together. The half finished boss (right) is my prototype for the full one.

 A big shout out to Leah Curtis for organising this blog hop. My first ever. 

Thank you Leah, I have had a lot of fun.

Thanks for coming to see my blog. Feel free to visit all the other participants in this hop whose blog links can be found below. I can't wait to see what every one else has done.

Leah Curtis - Indus Valley - beadyeyedbunny.blogspot.co.uk
Laney Mead - Māori - laney-izzybeads.blogspot.co.uk
Becca - Art Nouveau - godsartistinresidence.blogspot.com
Melissa - English Romanticism and Mourning Jewelry - beadrecipes.wordpress.com
Tracy Stillman - Native American - tracystillmandesigns.com
Gerda - English Romanticism and Mourning Jewelry - gerdascraftsblog.blogspot.com
Liz E - Native North American - beadcontagion.blogspot.com
Ahowin - Māori (New Zealand)  - blog.ahowinjewelry.com 
Jasvanti - Indus Valley - jewelrybyjasvanti.blogspot.com
Lizzie - Art Nouveau - theneedtobead.blogspot.co.uk
Julia Hay - Merovingian - pandanimal.blogspot.co.uk
Dini - Celtic - angazabychanges.blogspot.nl
Caroline - Art Nouveau - blueberribeads.co.uk 
Charlie - Moche of Peru - clay-space.com/blog
Karin - China - maverickbeads.blogspot.com
Niky Sayers - Rome - silverniknats.blogspot.com
Marcia Dunne - Celctic and Mourning Jewelry - thealternativefoundry.blogspot.co.uk
anafiassa - Mesopotamia - anafiassa.blogspot.com
Kokopelli - Native American - kokopellidesign.blogspot.com
Christa - Native American - adventuresofwonebeadywoman.blogspot.com
Clair - Roman - obstinatepursuit.blogspot.co.uk
Susan Bowie - Native American - susanbowie.wordpress.com
Gloria Allen - English Romanticism - gloriaallendesigns.blogspot.com
Sheila Garrett - Early Russia - 4brownowl.blogspot.co.uk 

This Morning

This Morning 

As I write my kiln is warming
Mandrels dipped and drying
I should use up the silver leaf I cut yesterday
But
I don't want to
Instead thinking
Tiny spacers
& play with C.I.S.